In AAJ 2024, we highlighted new climbs in Angola spearheaded by American climber Nathan Cahill, along with local developers—see Cahill’s story here. The pace of exploration on the beautiful rock of this southwest African country has not slowed. This past summer, a Spanish quintet visited the province of Cuanza Sul and climbed seven new routes on six different granite domes. Here is the story they‘ve prepared for the 2025 AAJ.
CONDA AREA, FIRST ASCENTS OF HUGE DOMES
During July 2024, our team of five Spaniards—Miguel A. Díaz, Alex Gonzalez, Indi Gutierrez, Jaume Peiró, and me, Manu Ponce—traveled to Angola in search of big walls. Having many options to explore, we decided to start in the Conda region of Cuanza Sul province, around eight hours south of Luanda, the capital. Once in Conda, we headed about ten kilometers south to the village of Cumbira Segundo.
We knew from past reports that we would find big walls, but the reality far exceeded what we imagined. Amid the lush jungles surrounding the small village of Cumbira Segundo were enormous granite domes, between 200 and 400 meters tall. Some of these had been climbed before, but many had not.
In this type of adventure, the easiest aspect is often the climbing itself, and this was true here, as the dense vegetation full of wild animals—many of them very poisonous—required us to open paths to the walls with extreme care. Taking turns, we chopped through the jungle with machetes meter by meter until we reached our starting points.
Once on the wall, we were in our element, though temperatures were scorching: between 20°C and 25°C, with almost 100 percent humidity. These were truly tropical conditions. We tried to choose walls in the shade, although this wasn’t always possible.
We climbed everything ground-up, using bolts as sparingly as possible, though some of the walls had very little opportunity for removable protection. Most of our routes involved technical slab climbing, with few cracks, poor handholds, and friction-dependent footwork. This meant that, at the end of the day, you would end up with your head mentally fried.
We had several wild moments during the expedition: falls of more than ten meters with a drill included, scorpions as big as your hand defending their nest as you climbed, and running into black mambas on the nightly return to camp. Despite this, if asked if we would return, we would all answer without hesitation: Sim, claro!
In total, we opened seven routes on six different peaks, two of which had never been summited before. This totaled around 2,000 meters of climbing, all of which made us sweat meter by meter. The seven routes were:
● Bon Día Boa Noite (420m climbing distance, 7a) on Hande.
● Peluchitos (380m, 7b) on Hande.
● Vuelta al Armario por Festivos (350m, 6b+) on Cunduvile.
● Quero verte Vocé (100m, 6a+) on Wende, first ascent of the formation.
● Raices (200m, 6c) on Leca, first ascent of the formation.
● Os Mulatos (130m, 6c+), the first climbing route on Cawanji. The formation can be ascended by hiking via another route.
● Fumaca Densa (115m, 7b) on Nhenje.
We received much valuable help from Nathan Cahill of Climb Angola, and Lucho Birkner and Javiera Ayala from the nonprofit Climbing for a Reason. The local community, specifically all the children with which the latter organization works, helped us from the moment we got up each day until we returned in the evening through the dense vegetation. A very humble community opened its arms to us without asking for anything in return.
We are particularly grateful for the work Climbing for a Reason is doing in this place. It has given life and a lot of hope to a large part of the town’s population: the children. Due to the incredible climbing and potential for route development, we are sure this place soon will be visited by people from all over the world. Climbing for a Reason is helping prepare and teach the inhabitants what can be done in their “garden.”
In all, we are very happy with what we have achieved, and more importantly with the experience we had with the people of Cumbira Segundo. Our weeks were full of learning, and we came to feel comfortable in a wild terrain full of surprises.
—Manu Ponce, Spain
CUTTING EDGE PODCAST: NEW HOST, MORE VOICES
The Cutting Edge podcast returns for its seventh season this week, with a new host and deeper dives into first ascents and iconic climbing locations around the world. Hosting the show is filmmaker and podcaster Jim Aikman, creator of the AAC’s “Legacy Series,” featuring interviews with climbing legends from the Club’s deep vault of oral history.
As it has for the past six years, the podcast will continue to center on a recent cutting-edge ascent. Each month, Jim also will explore the climbing history and significance of the peak or range we’re visiting, drawing on the expertise of the American Alpine Journal team, as well as other climbers past and present.
Up first: Mt. Dickey in Alaska’s Great Gorge of the Ruth Glacier. British climber Tom Livingstone talks about his brand-new route up the south face, and you’ll also hear from AAJ Editor Dougald MacDonald, Ruth Gorge climber and filmmaker Freddie Wilkinson, and an archival interview from the late David Roberts, who was first to climb Dickey’s mile-high walls, half a century ago.
We asked Jim Aikman for a few thoughts on taking over as host of the podcast:
1. What’s your number one goal in taking the reins of The Cutting Edge?
Well, this is a beloved show with a great following, so the first goal is to continue delivering for the core audience. Beyond that, I'll be bringing a documentary style to the storytelling, where interviews still drive the show but I'll dig more into the history and larger context through research, voiceover, thematic richness, and more expert voices. The ultimate goal is to create a compelling narrative that explores the depth and meaning of a new climb, its setting, history—and what it adds to the limitless evolution of the sport.
2. Why should the average climber care about cutting-edge climbs?
I think this gets to the essence of climbing and what makes it interesting to me as a storyteller. Climbing is still so new, and it really shines on the extreme end of the learning curve. Startling stuff is happening all the time, and will continue to, because we are still exploring what we're capable of as a species interacting with the natural world. That comes through better training practices, technical innovation, and sheer boldness, playing out in venues with the highest stakes, yet with perhaps intangible rewards. I’ve heard answers to the question “why climb?” from many of climbing's greatest luminaries, and the answers are as philosophical as they are bewildering, and that just draws me in. Obviously I'm not alone in that, as we've watched climbing stories and figures finally break into the mainstream in recent years.
3. You obviously love climbing history. What draws you to the stories and people from climbing’s past?
I’ve been telling climbing stories since 2007, starting with Sender Films and the Reel Rock crew, followed by 15 years of short and feature-length documentaries on the sport. Then there’s the VIP interview series, which I've been capturing for the AAC with Jim McCarthy and Tom Hornbein (who we lost last year, RIP) since 2012. We have more than 75 interviews telling the oral history of American climbing, and we're still going strong. I think history is fascinating in general, but climbing is just this incredible spectrum of personalities and motivations, all playing out in the last couple of generations. I mean, how crazy is it that Americans reached the highest point on Earth only six years before we put people on the moon? And now we have this progression of strength and technique that makes the sport incredible to track as a purely athletic pursuit. I'm a fan of other sports as well, but there's really nothing like climbing.
The Line is the newsletter of the American Alpine Journal (AAJ), emailed to more than 80,000 climbers each month. Find the archive of past editions here. Interested in supporting this publication? Contact Heidi McDowell for opportunities. Got a potential story for the AAJ? Email us: [email protected].